Description
“Cantus et Tibia” is the motto of this two-volume collection of songs, compiled by Hermann Rieth. This phrase, which includes singing and flute playing (or more generally: wind instrument playing), introduces a musical journey that leads from the beginnings in the high Middle Ages to the present day. Specially designed for the bagpipes Hümmelchen and Dudey in C/F tuning, Volume 2 opens the window to a world in which tradition and contemporaneity flow harmoniously together.
Versatility in the choice of instruments
The collection “Cantus et Tibia – Volume 2” emphasizes the versatility of Hümmelchen and Dudey, but also their openness to other melodic instruments such as recorders, violins or even gemshorns and cornamuses. The compositions and arrangements take into account the special drone sound of these instruments, but also fit wonderfully with the human voice.
Musical diversity and freedom
This collection spans from the Baroque period to songs from the 18th and 20th centuries. Each piece in “Cantus et Tibia – Volume 2” opens up the possibility of interpreting the music in your own way – whether by playing on different instruments, adapting the melodies or inventing your own accompaniments.
The meaning of Hümmelchen and Dudey
Hümmelchen and Dudey, described in great detail by Michael Praetorius in the early 17th century, are the ideal companions for this musical journey through time. Their gentle presence not only suits the music of their heyday, but also works from earlier and later eras, underlining the timeless charm of these instruments.
A musical compendium
“Cantus et Tibia – Volume 2” is an invitation to discover the diverse soundscapes of Hümmelchen, Dudey and other historical instruments and to bring them to life with your own creativity. This booklet is an indispensable tool for anyone who appreciates the deep connection between history, music and communal music-making.
