The Locham Songbook – Volume 2

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in a new translation and with detailed commentary by Marc Lewon

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ISBN: 978-3-927240-84-1 SKU: LO2 Category: Tag:

Description

Discover the world of medieval music with “Das Lochamer Liederbuch – Band 2”, an important collection of German-language music of the 15th century, newly transcribed and extensively annotated by Marc Lewon. This edition not only offers unique insights into the musical practice of the period, but is also an indispensable tool for all those who wish to interpret and perform historical music authentically.

Historical significance of the Locham songbook

The Lochamer-Liederbuch is one of the most important sources for German-language music of the 15th century. As one of the first surviving German songbooks, it contains mainly monophonic songs and an instrumental section. The latter has a special feature in the Fundamentum organisandi: It is a kind of composition and improvisation theory for the keyboard instrument. Such instructions already had a long tradition for vocal music, but for instrumental music it was a novelty and clearly links this part of the songbook with the arrangements of the famous Buxheim organ book.

Bridging the gap between source research and musical practice

In the past, very in-depth and scientifically well-researched works on the Lochamer Liederbuch have been written and published. A practical edition for musicians, which is nevertheless based on precise knowledge of the sources, has been lacking until now. The present series of editions closes this gap by attempting to meet several needs at once: “Das Lochamer Liederbuch – Band 2” is designed to re-edit pieces by Loch and prepare them ready to play, to provide new insights and interpretations of the sometimes difficult-to-understand original text and to engage in a discourse on performance practice.

Extended edition and deepening of musical interpretation

Like the first edition, “Das Lochamer Liederbuch – Band 2” also follows the aim of preparing the source material with a view to making the pieces suitable for practical performance. The new volume takes up the principles set out in the first volume and takes them further: 10 monophonic and polyphonic songs with corresponding transcriptions from the instrumental part of the songbook have again been included in the edition. As in the first volume, further instrumental versions from the Buxheim Organ Book are included here in individual cases in order to place the songs in a contemporary context and to show how they were already received, altered and arranged in the 15th century.

A deeper look at the pieces of music

In addition to popular popular songs such as “Ich spring an disem ringe” and “Der winter will hin weichen”, whose transcriptions here sometimes contain new and surprising insights, more contemplative and very sophisticated compositions have also been included in the edition, including, for example, “Ach meiden, du vil sende pein” and “Des klaffers neiden”, which are joined in “Das Lochamer Liederbuch – Band 2” by no less sophisticated instrumental arrangements.

An indispensable tool for musicians and music lovers

This second edition of “Das Lochamer Liederbuch – Band 2” is not only a collection of important musical works, but also a comprehensive tool for musicians, musicologists and lovers of historical music practice. The careful transcription and detailed commentary make it possible not only to understand the music of the 15th century, but also to interpret and perform it authentically.

Grab “The Lochamer Songbook – Volume 2”

Don’t miss this opportunity to immerse yourself in the fascinating world of 15th century music. Get your copy of “Das Lochamer Liederbuch – Band 2” and experience how profound and inspiring the combination of historical precision and musical passion can be. Order now and bring the sounds of the Middle Ages into your repertoire.

Additional information

Weight 0,210 kg
Total number of pages
author
Product shape

Booklet

Product language

German

Product shape - detailed

A4, Staple stitching

Herstellungsland

Germany

Primary product content

Musical notation

Product group

HC/Music/Musicals

Foreword

In the past, very profound and scientifically well-researched works on the Lochamer Liederbuch (hereinafter referred to as LOCH for short) have been written and published. A practical edition for musicians, which is nevertheless based on precise knowledge of the sources, has been lacking until now. This gap is to be closed with the present series of editions of LOCH, in an attempt to meet several needs at once: The aim of the edition is not only to re-edit pieces by LOCH and prepare them for performance, not only to provide new insights and interpretations of the sometimes difficult-to-understand original text, but in particular also to conduct a practical performance discourse in order to introduce performing musicians to this repertoire and, last but not least, to place the songs in their contemporary musical context. This includes, on the one hand, the parallel transmission in other sources and, on the other hand, the processing of the material, for example in the form of instrumental arrangements – above all in the tablature part of LOCH and in the Buxheim Organ Book (Bux for short).

Finally, the role of the editor with regard to the final interpretation of a piece by the musician should also be mentioned at this point: Decisions made for the edition, even if they are largely explained in the commentary, and possibly even alternatives or possible freedoms of interpretation are explicitly made available or left to the musician, nevertheless shape the appearance of the musical text to such an extent that the interpreter is inevitably influenced by them. This is especially true for a game edition, which is ultimately intended for direct music-making and not for academic discussion. As always, nothing can replace the original musical text, the source, the manuscript. The warning is hereby satisfied, and reference is also made to the introductory preface to the first volume of the edition.

Contents

  1. Foreword
  2. Edition
  3. Comment
  4. Bibliography
  5. I.
    Der winter will hin weichen (Song, 3 parts)
    The winter (BUX) (tablature)
  6. II.
    Der Summer (textless song, 3 voices)
    Do with a good year (LOCH) (tablature)
  7. III.
    Ich spring an disem ringe (Song, 1 part)
  8. IV.
    Mir ist mein pferd vernagelt gar (Song, 1 part)
  9. V.
    All mein gedencken, die ich hab (Song, 1 part)
    All mein gedencken, die ich hab (A simple, three-part version)
  10. VI.
    Mein freud möcht sich wol meren (Song, 1 part)
    Myn fröud möcht sich wol meren etc. (BUX) (tablature)
    Min froud möcht sich wol meren (BUX) (Tablature)
  11. VII.
    Des klaffers neiden (Song, 1 part)
    Des klaffers neiden (song, 3 parts)
    Tenor. Des klaffers neyden (LOCH) (tablature)
  12. VIII.
    Ellend, du hast umbfangen mich (Song, 1 part)
    Ellend, you have (LOCH) (tablature)
    Ellend, du hast (LOCH) (A hypothetical song version)
  13. IX.
    Mein traut geselle (Song, 3 parts)
    Min troutt geselle etc. (BUX) (tablature)
  14. X.
    Ach meiden, du vil sene pein (Song, 1 part)
    Ach meiden, du vil sene pein (With text underlay and in transposition)
    Frow, myn willen nym in güt (BUX) (tablature)
    Frow, myn willen nym in güt (BUX) (A three-part version)

Author:in

Marc Lewon

Marc LewonMarc Lewon is a German musician and musicologist who specializes in German-language music of the Middle Ages. He was born in Frankfurt am Main in 1972 and studied musicology and German language and literature at the University of Heidelberg. He also trained in lute, fiddle and singing at the Schola Cantorum Basiliensis.

As a musician, Marc Lewon is active as a lutenist and fiddle player in various ensembles specializing in medieval and Renaissance music. He has given concerts worldwide and participated in numerous CD productions and radio recordings. He is also the founder and director of the ensemble Leones.

Marc Lewon has taught medieval music at various music schools and universities. He is co-founder and director of the advanced training series “Early Music of the High Estates and the Resonances of Medieval Music” at the Fürsteneck Castle Academy.

Marc Lewon’s research focuses on the musical life of the late Middle Ages in the Austrian region and is part of an international research project on the lute in German-speaking countries.