A good nerrisch Tantz – Volume 2

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A well-ordered selection of 133 dances

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ISBN: 978-3-927240-01-8 SKU: NT2 Category: Tags: ,

Description

“Ein gutter nerrisch Tantz – Band 2” continues the tradition of the ‘Schnurrpfeiffereyen’ and enriches the world of music with a diverse collection of dance melodies from different eras. This volume brings together 133 carefully selected dances, ranging from the 13th to the 20th century, and offers a rich palette of historical melodies that can be played on a variety of instruments.

Regionality and diversity in music

The melodies in this volume were collected at musicians’ meetings in Germany and neighboring countries. They include a wide range of different dance styles, from well-known forms such as Branle, Contredance and Gavotte to more specialized dances that cannot be classified in the large groups such as Schottisch or Polka.

A window into the history of music

One part of “Ein gutter nerrisch Tantz – Band 2” presents particularly beautiful dances from collections of the 18. and Some of the dances originated in the Netherlands, Belgium and Ireland in the 19th century, while others date from the Renaissance. These historical pieces offer a fascinating insight into the courtly and popular dance culture of the past.

Music that connects

The selection of dances in “Ein gutter nerrisch Tantz – Band 2” takes particular account of melodies that are difficult or impossible to find in Germany. The collection serves as a practical tool for musicians who are interested in historical folk music and want to present the original character of this music on replicas of historical instruments.

Making music together

The notation of most of the dances in ‘C’ and the option of playing some of them in two parts make it easier to make music together and encourage ensemble playing. The illustrations in this volume, based on historical engravings and photographs of musicians and instrument makers, complement the musical experience.

Your opportunity to bring history to life

Each dance in this collection has been carefully chosen to give you an authentic interpretation of historical music. “Ein gutter nerrisch Tantz – Band 2” is not only an enrichment for your sheet music collection, but also an indispensable tool for all those who are interested in historical music styles and want to experience them in their originality. This volume is the perfect addition for musicians who want to expand their knowledge and take part in a variety of musical events.

Prepare to play history

With “Ein gutter nerrisch Tantz – Band 2” you have the opportunity to delve deeper into the world of historical music and expand your skills in interpretation and performance. This volume is a treasure trove of rare and beautiful dances that no music collection should be without. Be inspired by the variety and historical depth of this collection and enrich your musical repertoire. Get your copy now and experience how you can bring history to life through music!

Additional information

Weight 0,200 kg
Product shape

Softcover

author

Total number of pages

84

Product language

German

Product shape - detailed

Perfect binding

Herstellungsland

Germany

Primary product content

Musical notation

Product group

HC/Music/Musicals

Foreword

This collection contains 133 dance tunes, arranged according to their origin. This is a broad spectrum of different regional dance styles or individual special dances that cannot be divided into the large groups such as Schottisch, Polka… as they can be found in the first volume of this collection. However, they should not only be seen as a supplement.

The selection takes particular account of dances that are difficult or impossible to find in print in Germany. We know from numerous encounters with musicians how great the demand for sheet music is. One part of this volume presents particularly beautiful dances from collections of the 18. and 19th century from the Netherlands, Belgium and Ireland. Another part of the dances originates from the Renaissance such as Gavotte, Branle, Allemande… Some of them passed into the folk music of later times or were preserved as courtly dances.

The collection can be seen as a continuation of the two volumes “Schnurpfeiffereyen”. It is therefore primarily intended for use by musicians who are interested in historical folk music and who strive to
to reproduce the original character of this music on replicas of historical instruments. It is designed to make it easier to make music together on all kinds of occasions.

The illustrations were drawn either from photographs of musicians and instrument makers from our circle of acquaintances, or from historical engravings and woodcuts.

I would like to thank all those who have contributed to the creation of this collection.

Martina Sirtl

Contents

  1. Adagio
  2. Adeprendendo
  3. Air
  4. Alman
  5. Allemande
  6. Allemande
  7. Old French melody
  8. Angloise
  9. Bacchus
  10. Ballet
  11. Bavarian
  12. Belle France Helena
  13. Branle simple
  14. Buxos verdes
  15. Can duh Dilish
  16. Castle Donovan
  17. Christl Boarischer
  18. Colonne: “La gavre”
  19. Contredance
  20. Contredance
  21. Contredance
  22. Contredance
  23. Contredance
  24. Contredance
  25. Contredance
  26. Contredance
  27. Contredance
  28. Conuerte nos
  29. Corranto
  30. Courante
  31. Courante de Manois
  32. Creamonea
  33. Da mihi manum
  34. Dat gaat voor de wint
  35. De boer op klompe
  36. De harlequin
  37. De keyser
  38. De musikant op sijn koninklijk
  39. De reus
  40. The Rosental Styrian
  41. De Trumpet
  42. The wild man
  43. Daughter how heeft u quaet gedaen
  44. Double de Branle simple
  45. Dueringer boeren dans
  46. Eiry na Greany
  47. Fairy Dance
  48. Fanfare
  49. Fanny Poer
  50. Five turners
  51. Five Ländler
  52. Gaillard harder
  53. Gaillarde Roemer
  54. Gaillarde slof
  55. Street dance
  56. Gavotte
  57. Gavotte
  58. Gavotte
  59. Gavotte
  60. Gavotte
  61. Gavotte
  62. Gavotte
  63. Gavotte of soete Isabelle
  64. Giane A
  65. Giga
  66. Gladers Polska
  67. Het engel oestertje
  68. Het was een aardig sinjeurtje
  69. Behind my father’s barn
  70. How of Susanneken suur siet
  71. Homlus
  72. Intrada
  73. Jämtpolska
  74. Jardin d’armour
  75. Carmenade
  76. Royal dance
  77. Colom
  78. La cour dóu Rèi Reinié
  79. Lady St. John
  80. La meuse
  81. La paresseuse
  82. La pouille
  83. Le chasseur
  84. Le Cotillon vert
  85. Lief uyt verkoore
  86. Lou rei e soun pagi
  87. Mable Kelly
  88. Maclotte de Givry
  89. Mamatje ran
  90. Matelote benas
  91. Matelotte
  92. Matelotte
  93. Matelotte
  94. Matelotte de la fange
  95. Moeder ik heb een vullis…
  96. Moore palatino
  97. Musette
  98. Musquetiers balet
  99. Noble karste
  100. Nieuwe Rigaudon
  101. Nüdeli
  102. O’Pote
  103. Patrick Sarsfield
  104. Planxty Denis O’Conor
  105. Planxty Irwin
  106. Quadrille
  107. Quand je voy iver retorner
  108. Rigaudon
  109. Silk thread
  110. Shea sude shear an Rode…
  111. Snurrebocken
  112. Spanjolette Rotterdam
  113. Jumping dance
  114. Sr. Ulick Burk
  115. Staines Morris
  116. St. Anna feasts
  117. Tambourine
  118. Dance
  119. the grassy Turf
  120. The long Eight
  121. The Rose in June
  122. The three Captains
  123. Trekairlpolska
  124. Trunkels
  125. Green under the lime tree
  126. Van dese gnaws
  127. From the whole maakt men
  128. Vielle Matelotte
  129. What should you do on the avont
  130. Ye Clarges Lamentation
  131. Young William Plunkett
  132. Two English dances

Author:in

Martina Sirtl

Martina Sirtl, then a member of the Spielleut group and publisher of traditional music, played an important role in the publishing work. In the 1970s, she and her group began digging up old songs and reworking them for today’s ears. Martina helped to found the Spielleute publishing house, which provided extensive information material. This publishing house was founded in 1988 and published books and music that supported the medieval and renaissance music scene.

The group Spielleut was a pioneer in the medieval and renaissance music scene and helped to establish these musical styles in Germany. They not only played music, but were also actively involved in the preservation and dissemination of old songs. The publishing work of Martina and her colleagues was an important contribution to the promotion of traditional music.