For over 400 years, the glockenspiel has been a folk musical instrument, especially in the Netherlands, which has managed to hold its own to this day. In many towns there is still the “stadsbeiaardier”, the carillonneur employed by the town, whose melodies fill the squares at weekends and on market days. <\/p>\n
However, there are only three surviving collections of music for this instrument. Apart from mechanically played bells, these include works by Berkhuis, Matthias van der Gheyn and Joannes de Gruijtters.<\/p>\n
From the manuscript of the Antwerp town carillonneur Joannes de Gruijtters (1709 – 1772), the author has selected 59 of the pieces notated for two voices for this edition in “Joannes de Gruijtters 1746”. These pieces were often used as memory aids and were not intended for widespread publication, which explains their rarity and special value today.<\/p>\n
The ornaments given in the original manuscript are explained in detail with regard to their playing with examples. This allows you to play the music authentically and refine your interpretations.<\/p>\n
The very beautiful melodies in “Joannes de Gruijtters 1746” are suitable for playing on all melody instruments, but also for drone instruments such as bagpipes and hurdy-gurdy. They offer a flexible application for a wide range of musical instruments and thus expand the possible uses of these historical pieces.<\/p>\n
The book is illustrated with numerous drawings by the author. These illustrations not only enrich the visual experience, but also provide insight into the artistic interpretation of the music and its time.<\/p>\n
Rolf Janssen, who has selected, edited and illustrated the pieces on the basis of a facsimile edition, is a native of the Netherlands and has for years been occupied with the traditional music of his homeland, on which he has published several books and collections of sheet music. His in-depth knowledge and passion for traditional music give this work an authentic voice. Since 1985 he lives as an art educator and freelance artist. His artistic and musical skills flow into every detail of this carefully curated collection “Joannes de Gruijtters 1746”. <\/p>\n
The melodies in “Joannes de Gruijtters 1746” are andantes, minuets, marches, gigues, contra dances and other melodies that do not go beyond the range of an octave, or only slightly. This variety allows musicians of different skill levels to explore and enjoy the pieces. They are mostly left in the original key and notated in C or G major. This preserves the historical character of the music and at the same time offers an accessible form for musicians. The basso continuo, or accompanying part, is given an octave higher for ease of reading. This practical adaptation makes the notes easier to read and easier to play together. <\/p>\n
“Joannes de Gruijtters 1746” invites you to become part of a musical tradition that is deeply rooted in European culture. This collection is not only a testimony to musical history, but also offers a unique opportunity to experience and interpret the diversity and beauty of 18th century music. Take the opportunity to expand your musical skills and experience historical music authentically. <\/p>\n","protected":false},"excerpt":{"rendered":"
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